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Large Designs
Large designs pose
special challenges to the stitcher. Embarking on a "stitching marathon"
can be a rewarding (and even pleasant!) experience if approached in an
organized manner.
First of all (and
this may sound strange, but trust me, it's very important!) As with any
challenge you face, you need to be ready: prepare yourself mentally! And,
you should ask yourself some questions. You are going to be expending
a large amount of energy, not to mention a large chunk of your time (and
probably money) on a large project. Are you willing to make such an investment?
Are you someone who stitches only one project at a time, and will a big,
time-consuming project make you miserable? If you stitch several projects
in a rotation, how often will you work on the "monster"? These questions
aren't meant to discourage you; merely to remind you that a decision to
stitch a large piece should be one that is grounded in reality....
After you've decided
that you'd like to tackle stitching a large piece, these tips should help
keep frustration at bay:
- Review the General
Tips section.
- When purchasing
the floss for a large piece, be sure to buy from the same dye lot if
extra skeins of the same color are noted in the instructions; dye lots
can vary substantially.
- Make sure you
have enough fabric for your design; don't skimp! Remember to allow at
least 3 extra inches on each side of the design, and be sure to
finish the edges to minimize fraying. Many stitchers believe this amount
is not enough, especially if the fabric frays at all, and they allow
more than three inches.
- Stay organized!
It will take a bit of extra time and may seem like a bother, but it's
definitely well worth the effort. If you work on several projects in
rotation, this will prove doubly advantageous: it allows you to set
aside a large piece, work on something else, and then come back to the
original project days/weeks/months/years?!?! later with minimal problems.
- Organizing
Floss is one of the best things you can do to keep a large project
under control.
- If the chart
is a big one-piece fold-out giant, which is very difficult to
handle, make a working photocopy in normal page-size sections, enlarging
it if necessary. (Note: See warning
concerning photocopying). This also has the added psychological
benefit of breaking the large piece down into 'manageable' sections...much
less intimidating!
- Where to begin
stitching? Many of my large designs have borders, and I usually recommend
stitching the very outermost edge of the border first for a couple of
reasons:
- With this
minimal amount of stitching, you can be sure the fabric size is
correct for the design. Once the counting has been double
checked, you can also rest assured that the stitch count is correct
as well.
- With the
entire outside edge of the design stitched, there is always a concrete
reference point if you would like to move around and stitch somewhere
else on the design. Just remember to always count in from an edge,
and not from the stitching you've just completed, in case
you've miscounted somehow! I heartily recommend moving around if
you have stitched the outside edge first: it serves to break the
design down into "small designs" within the big design: and gives
one a sense of accomplishment and a much-needed psychological "boost".
It also helps to keep boredom at bay!
- Basting the darker
10th chart grid lines directly onto the fabric using light-colored sewing
thread is another trick stitchers use to stay properly oriented. It's
a bit time-consuming, but works very well. Just be sure that the chart
is actually divided into 10 X 10 blocks. With this method, you will
always have "concrete" reference points (the basted grid lines), which
will allow you to move around on the design. I recommend this technique
if there is no border, or you make frequent mistakes in counting.
- How do I "keep
my place" on the chart? It's easy to become "lost" with some of my complex
charts...
- Some stitchers
"color in" the areas of the chart they've already stitched using
highlighting markers (the fluorescent colors that allow the chart
symbols to show through). If you've made a photocopy,
this method works fine, and the original chart remains undamaged.
- Some stitcher
laminate their charts, which allows them to mark on the plastic
without harming the chart, and also eliminates the photocopying
aspect.
- Because I
am so very color-oriented, and have a difficult time distinguishing
all those small black symbols from one another as I'm stitching,
my favorite method consists of making an enlarged copy, and then
coloring in the blocks using colored pencils. The colors I use have
absolutely no bearing on the actual floss colors used, I simply
use the most visible colors: the ones I can most easily distinguish
at a glance. Whatever works, is my motto!
Finally, some common
sense things to remember:
- Large pieces
of needlework require alot of handling. For that reason, be sure your
hands are very clean when you stitch. Resist the urge to touch
the stitches, especially the front of your work.
- Extra caution
is required if you are stitching using a hoop. In moving the hoop around
on your work, the stitches are distorted and stressed. It takes a surprisingly
small amount of friction to make floss begin to lose its sheen and "pill".
Additionally, unless a hoop is moved frequently, the inevitable "ring"
develops: dirt and dust adhere to the minuscule amounts of oil even
clean hands leave behind.
- When using stretcher
bars, onto which the fabric is rolled, be sure the finished stitching
is rolled "under" instead of "over" the bars. When stitching is rolled
"under" the back of the stitching takes any wear and tear. If the stitching
is rolled"over" the bars, the exposed stitches must take the stress,
and will show the wear very quickly.
- If you store
needlework for any amount of time, do not leave needles in the fabric;
they may rust.
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